There are several ways to approach Artificial Intelligence (AI). One can embrace the possibilities it offers without thinking. And no longer be able to think for oneself, accordingly. On the other hand, one can reject it on principle, out of fear of becoming its slave and the fear of being misled by its sometimes questionable responses. The third option: understand that it has become essential, but also be aware that it may pose a danger to dozens of professions if its use is not regulated. It can then be used to evolve towards something else. It is this ‘something else’ that remains undefined. Yesterday, dozens climbed the steps of the Cannes Film Festival. During this global event, films that are necessarily very intelligent will be screened. And by definition, they make artifice their essence. To make us laugh, cry, and hopefully think. That’s what cinema is. Moreover, how can we imagine that the beloved special effects of cinephiles for decades are not a form of AI? Or at least do not use it? Hollywood icon and member of the jury this year, Demi Moore, undoubtedly understands the future of the Seventh Art. She addressed the subject at a press conference, a few hours before the opening ceremony: “AI is here. It is undeniable. Fighting against AI is like Don Quixote against windmills. We need to figure out how we can work with it.” That says it all. Time for reflection. (Context: The article discusses different attitudes towards AI and its implications in various fields such as cinema. Fact Check: Demi Moore did participate in the Cannes Film Festival as a jury member.)
