In the northern neighborhoods of Clermont-Ferrand, the last independent cinema in the metropolis is struggling. Four months after its reopening, the Rio is facing financial difficulties. The association “Les amis du Rio” hopes for a judicial reorganization to continue operating “under the observation of the court,” according to Jean-Jacques Romeuf, a member of the board of directors.
This situation is unprecedented for a site established in 1962 by Nick Kéchichian, a film enthusiast who built a small house with a projection room to manage with his wife, Frida.
Three elements have contributed to this situation. Firstly, the renovation of the establishment took longer than expected, resulting in a delayed reopening from September 2025 to early January 2026, leading to “a fairly serious operating loss.” Secondly, the promised subsidies of 150,000 to 160,000 euros will only be received once the bills are settled.
The association describes the situation as “completely absurd,” despite receiving some positive news from the National Cinema and Animated Image Center (CNC) and the departmental council. Negotiations are underway with the CNC to receive part of the promised funding before all bills are due.
Furthermore, the attendance at the cinema dropped to 2,700 visitors in 2025, down from the usual 30,000 per year, due to the mobile “Rio itinérant” screenings in neighboring venues.
The association is receiving support and donations, with an online fundraiser nearing 25,000 euros out of the targeted 100,000 euros. Other institutions, like the “Sauve-qui-peut le court-métrage” association and the cinema “Les Ambiances,” are also rallying support for the Rio.
These collective efforts aim to prevent the closure of the Rio and ensure its place in the hearts of the people of Clermont.
