At the Saint-Germain studios in Paris, we find Pierre-Marie Dru surrounded by a mixing table and a collection of synthesizers. He describes his role as a musical supervisor, a lesser-known profession that involves managing the musical aspects of films from start to finish. This includes selecting music, negotiating rights, and coordinating with composers and directors.
Pierre-Marie Dru emphasizes the importance of music in film, noting the variety of genres and styles he works with, from art-house to children’s films. He sees his role as bridging the gap between composers and directors, helping them find the right musical direction for their projects.
Passionate about music since his youth, Pierre-Marie Dru transitioned from architecture to the music industry, starting his career as a musical supervisor in 2004. He mentions significant projects like “J’ai perdu mon corps” and “Annette” as highlights of his career, working with notable filmmakers and musicians along the way.
In addition to his work in film, Pierre-Marie Dru founded Pigalle Productions and the Association of Musical Supervisors (ASM) to promote and support the often overlooked field of music supervision in the film industry. He advocates for the preservation of music and sound professions in France, highlighting the cultural significance of the country’s music heritage.
Currently supervising the music for four films at Cannes, Pierre-Marie Dru is also tasked with creating the soundtrack for the upcoming biopic “Johnny,” focusing on the life of the iconic French singer. His dedication to elevating the role of musical supervision reflects his commitment to ensuring music remains a vital component of cinematic storytelling.
