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My favorites
Tuesday May 19, the filmmaker with two Palmes d’Or came specially for an open-air screening of his film “Land and Freedom†released in 1995, and delivered a vibrant speech. And also, our reviews, video and photo of the day.
Ken Loach is the premiere of “Autofiction” by Pedro Almodóvar in Cannes, 19 May 2026. Photo Franck Castel/Abaca
By Samuel Douhaire, Marie Sauvion, Laurent Rigoulet
Publié le 20 mai 2026 à 18h30
The news
You have to let yourself be carried away, move away from the rooms of the Palace and venture onto the beaches. It was there, at nightfall, that Ken Loach made us experience, on Tuesday evening, one of the beautiful emotions of the festival. His 1995 film, Land and Freedom, is screened in the open air, far, very far from the competition, but the filmmaker with two Palmes d’Or made a point of traveling back and forth from England to present it to spectators lying on deckchairs. He will be 90 years old in June. Frail as a baby bird, he moves slowly, painfully, but when he places himself in the center of the stage carried by an immense ovation, his strength is astonishing. It is he who expresses his thanks for the French public and for the festival which invited him “one last time”. Et “if he can afford it”, he has two or three things to say. First to his « cher ami », Wim Wenders “Who says that cinema should be above politics?” “I couldn’t agree less and I’ll quote Martin Luther King: “The worst thing is not the violence of bad people but the silence of good people.†And in the face of exploitation, oppression, senseless wealth and desperate poverty, wars and their crimes, and, let me name it, genocide in Gaza, we cannot remain silent.”
His political fever does not weaken. “Artists are the protectors of truth, the radical voices of civilization, it’s not a hard job and we will continue to do it to the best of our ability.” The wind is fresh, it is after 10 p.m., Ken Loach sits down on a canvas armchair near an ice cream parlor on the Croisette to watch the film with his audience. Before turning on his heel, he delivered one last quote, that of Gramsci: “The old world is dying, the new is slow to appear.” “For some of us, there is not much time left. So by God, let’s hurry up and bring about this new world so that we can all know it!” — LR
Today’s reviews
Our salvation, by Emmanuel Marre (in competition)
France, September 1940, start of the Occupation. Henri Marre (Swann Arlaud) arrives in Vichy, hoping to find a place there. Emmanuel Marre (Nothing to worry about) embroiders a fiction as astonishing as it is successful around his distant ancestor. — M.S.
In competition. Released September 30.
Read the review
Cannes 2026: “Our Salvation†, the passionately political film by Emmanuel Marre that we would like to see at the top of the prize list
Once Upon a Time in Harlem, de William Greaves et David Greaves
Summer 1972. Filmmaker William Greaves brings together the big names of the Harlem Renaissance movement for a party at Duke Ellington’s house, and films. Twelve years after the director’s death, his film, finally completed, was presented at the Quinzaine des cinéastes. — LR
Filmmakers’ fortnight. Waiting for release date.
Read the review
“Once Upon a Time in Harlem†, a doc in the Afro-American intellectual ferment
The Third Night, by Daniel Auteuil
1942, under the Vichy regime. Gilbert Lesage (Antoine Reinartz) prepares the secret evacuation of one hundred and eighty Jewish children from the Vénissieux camp. This drama moves without forcing the pathos. — SD
Cannes Premiere, out of competition. Waiting for release date.
Read the review
Cannes: “The Third Night†by Daniel Auteuil, a sober and fair film about the Occupation
Video of the day: our critical face-to-face on Autofiction d’Almodóvar
Photo of the day
Maïwène Barthélémy, photographed in Cannes on May 17, 2026, for her role in the film “Mémoire de fille”, by Judith Godrèche (Un certain regard). Photo Fanny de Gouville for Télérama
Cannes Film Festival
Reviews of films in competition, meetings with filmmakers and actors, little and big news from the Croisette… Télérama brings you to life the 79e edition of the festival, from May 12 to 23.
- Cinema
- Cannes Film Festival 2026
- Ken Loach
The magazine in digital format
Read the magazine
Most read
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