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Cannes 2026: “Our salvation”, the passionately political film by Emmanuel Marre that we would like to see in h…

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Cannes 2026: “Our Salvation†, the passionately political film by Emmanuel Marre that we would like to see at the top of the prize list

My favorites

IN COMPETITION – France, September 1940, start of the Occupation. Henri Marre (Swann Arlaud) arrives in Vichy, hoping to find a place there. Emmanuel Marre (“Rien à foutre†) embroiders a fiction as astonishing as it is successful around his distant ancestor collaborator.

Cannes 2026: “Our salvation”, the passionately political film by Emmanuel Marre that we would like to see in h…

In “Our Salvation”, Swann Arlaud plays a handsome, average bastard, a decision-maker for next to nothing but bending over backwards to provide gasoline and trucks for the “pick-up of the Israelites”. Photo Kidam/Michigan Films

By Marie Sauvion

Publié le 20 mai 2026 à 18h00

De Gaulle, Jean Moulin and a certain Henri Marre crossed paths on the Croisette during this 79th edition, very preoccupied with the Second World War. The third man, unknown to the battalion and subject of Our salvation, brought contrary but not contradictory winds to blow: the chilling one of the banality of evil, and the galvanizing one of a new story and form.

A Franco-Belgian co-production by Emmanuel Marre, the feature film, presented this Wednesday in competition, addresses Vichy and collaboration on the scale of an arriviste without stature, coupled with a frenzied Pétainist. And he achieves this without academicism, freed from the heaviness often inherent in reconstructions

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