Carlo Collodi (1826-1890) published the first episode of “The Story of a Puppet” in a Tuscan daily on August 4, 1881. Little did he know the fate that awaited Pinocchio, his wooden creation. Initially ending the series in October 1881, he resumed writing due to its popularity, completing it in 1883. Compiled and illustrated in a volume, “The Adventures of Pinocchio” spread throughout Italy in 1921 and worldwide following (one of the most translated Italian books). The tale depicts Pinocchio’s self-education through adventures in contemporary rural Italy, facing various challenges like being imprisoned, hanging from bandits, collared like a dog, transformed into a donkey, beaten, and swallowed by a shark. Collodi criticizes institutions and societal norms of his time and infuses his love for Commedia dell’arte into his work.
Simone de Vergennes offered over two hours of insight into Collodi’s work on the “Saturdays of France Culture” in July 1982, delving into all aspects of the child/marionette story alongside experts, sharing excerpts of his adventures in both French and Italian.
Ornella Castellani analyzes Collodi’s writing style, emphasizing the simplicity and freshness of the Florentine language used in “Pinocchio.” The language reflects the casual vernacular of the late 19th century, highlighting Collodi’s intention to speak as he writes, catering to children without complicated language.
Fernando Tempesti perceives Pinocchio as a wonderful puppet, living life as a theatrical piece, showcasing scenes comparable to a stage play. The character encounters life lessons embedded with humor and dangers reminiscent of Commedia dell’arte.
Felice del Beccaro contextualizes Collodi within his time, depicting his literary studies, translation works, and editorial background. Collodi’s artistic influences, including “Les Mystères de Paris” by Eugène Sue and Alexandre Dumas’ serials, manifest in “Pinocchio.”
Claude Mettra discusses the significance of the shark in “Pinocchio,” symbolizing deep-sea creatures and primal creation, inviting contemplation on life’s challenges within the belly of the beast.
The article mentions a radio segment discussing Pinocchio’s centenary and the involvement of various experts and performers in dissecting Collodi’s masterpiece.
