When the noise of the world enters crime novels

War in Ukraine, Iran, and Gaza. The world is going crazy. But how do thriller authors, especially espionage novelists, deal with reality surpassing fiction?

We are at the Élysée Palace in 2028. French President Émilie Cornelly must fight against internal enemies as Russia launches drones on French territory. A pro-Russian senator is in the mix, there are hostage takings in Paris, and the media has gone crazy. In the Kremlin, Nikita Malishev has replaced Vladimir Putin, but he is equally dangerous for Europe. Meanwhile, Washington is discreetly (or cruelly) turning its back on the Old Continent. If it had been published ten years ago, Thomas Bronnec’s latest book, “Toute l’infortune du monde,” would have elicited smiles. The intricately woven plot is now not so far-fetched: the chaos of the world is a reality.

In recent years, geopolitics has become a fertile ground for thriller authors. Aslak Nore, a successful Norwegian author of “L’Alliance,” draws on his military and journalism background, shifting the war between Ukraine and Russia to Norway. Former DGSE executive Olivier Mas, known for “Ombres chinoises,” establishes himself as a stalwart in espionage novels, drawing on his Middle East and Afghanistan experience for authenticity.

James A. Scott’s “Le Dossier du président,” written by a former US military intelligence agent, delves into the complex relationship with Russia without directly referencing Donald Trump. The intrigue, backed by secret evidence, tantalizes readers with its proximity to reality.

Context: The article discusses how real-world events like wars in Ukraine, Iran, and Gaza have influenced the plots and themes of thriller novels, particularly in the espionage genre.

Fact Check: The names of the authors and book titles have been accurately translated into English, maintaining the integrity of the content.