The Homeland Song Club performed the instrumental piece “Kong Ming sitting in the tower – The Soul of the Motherland.” Photo: THUY BINH
The program included performances by the Homeland Song Club, the New Sunshine Club (Tan Son Nhat district), the Homeland Love Quan Ho Folk Song Club (An Dong district public service center), and the Southern Melodies Club (Ho Chi Minh City Student Cultural Center). Teacher Pham Thuy Hoan and artist Hai Phuong invested in this program, staged it, and produced it.
The folk music show “Flowers of the Fatherland” attracted a large audience, including foreign tourists. Photo: THUY BINH
Professor Ho Thien Hao’s family (Ancestral Chant Club) performed the instrumental piece “Short Spring Song.” Photo: THUY BINH
This program aims to introduce melodies and folk songs from the three regions of Vietnam to the public, especially young people in the city, helping audiences understand, appreciate, and work together to preserve and promote traditional music in community life.
During the program, the clubs performed various pieces, including the folk song “Inviting Betel” from Quan Ho, instrumental piece “Kong Ming sitting in the tower – The Soul of the Motherland,” “Spring Song,” “Flying Clouds Diep Khuc,” solo performance of the southern Vietnamese folk song “Sitting at the edge of the boat,” solo performance of the southern Vietnamese folk song “Ly pulling the fishing net – Setting the hook,” group performance of “Oh, the girl in the brown dress,” dance “Colors of Spring,” “Flowers of the mountains,” duo “Loving each other like silkworms,” “The fate must continue,” solo performance of “A fateful encounter,” “Black horse of the North,” and the instrumental piece “Farewell Song of Mo Linh”…
THUY BINH
Source: https://www.sggp.org.vn/chuong-program-hoa-que-huong-lan-toa-tinh-yeu-am-nhac-dan-toc-post847667.html
