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Matthieu Delormeau is back in the spotlight with an intimate and raw story. In his autobiography, he opens up about his addictions, his downfall, and his gradual reconstruction with crucial support. Prompted by a promise from Cyril Hanouna, the friend of Loana, the presenter reveals today what helped him stay strong. He also discusses a journey marked by choices and regrets.
A career torn between ambition and detours
In “Addictions: It only took once…”, Matthieu Delormeau openly recounts his early days in the broadcast landscape. He mentions starting late, notably with Marc-Olivier Fogiel on “On ne peut pas plaire à tout le monde.” Quickly, he accepts all opportunities. However, this choice is not without consequences. He admits himself: “As I started TV very late […], I said yes to everything.” Motivated by the desire to succeed, this strategy gradually drifts him away from his initial aspirations centered on talk shows. The pursuit of fame gradually takes precedence over career coherence.
This evolution is accompanied by increasing pressure. He acknowledges that “the craving for fame and money is the strongest.” Thus, he hosts shows from “Les Anges de la téléréalité” to “Touche pas à mon poste.” However, behind this visibility, an imbalance sets in. When he leaves Cyril Hanouna’s show, no new offers come his way. This lack of prospects emphasizes his vulnerability. In 2023, he hits rock bottom, as he confesses today. His journey then illustrates the possible pitfalls of a career led without a clear direction, where immediate opportunities override long-term vision.
The crucial role of support and ignored warnings
Facing this descent, Matthieu Delormeau identifies a pivotal turning point: the support of Cyril Hanouna. In his book, he recalls a strong promise, one of a return to the screen upon getting sober. This pact acts as a driving force. In an interview with Le Parisien, he expresses his gratitude: he “proclaims his eternal gratitude” to an employer who “has sometimes been very tough.” He adds: “I know he had to fight with the channel to bring me back,” highlighting a rare commitment in a demanding industry where “no one dares to hire a coke addict.” However, this fall was not entirely unforeseen. From the beginning, Marc-Olivier Fogiel had warned him with clarity. “Sort out your problems before going on TV, otherwise the camera […] detects the tumor and makes it grow,” he had advised. In hindsight, this statement resonates strongly. Matthieu Delormeau implicitly admits that he did not listen to this warning. Today, he leans on this experience to explain his journey. Between past mistakes and reconstruction, he now tries to turn this ordeal into a prevention message.
