Guillaume Cuiller, hautboist, has been performing in an octet of wind instruments for the past three years, playing music from the late 18th century. Various programs have led to the creation of a new album called “Swinging’ Partita.”
This homage to the wind octet from around 1800 uncovers forgotten works while also exploring essential pieces. The formation, as described by Guillaume Cuiller, appeared around 1760 and was very fashionable in the courts of Eastern Europe. Emperor Joseph II of the Austro-Hungarian Empire established a harmonie in 1782, and all princes were expected to have one.
The eight musicians could perform both indoors and outdoors, allowing guests to stroll and listen to serenades in various locations, making it a unique aspect of this formation. This joyful and engaging music is easy to listen to but hides its complexity behind a delightful lightness.
The music caters to a broad audience, enriching daily life and complementing military ceremonies.
A golden age for musical composition with numerous works ranging from arrangements of famous operas to original pieces specifically for this formation, including oboes, clarinets, horns, and bassoons. Composers include Ludwig van Beethoven, Franz Krommer (a friend of Beethoven), Antonio Casimir Cartellieri, and Antonio Salieri with his Masonic music.
With the Napoleonic Wars causing the destruction of the princes, musicians, and their practice, the idea emerged to commission a new piece for ancient instruments from contemporary composer Guillaume Connesson. The resulting piece, “Le Tombeau des Seventies,” revisits the music of the 1970s and creates a new musical language.
“Swinging’ Partita” can be found on various platforms, including Stradivaria’s website, FNAC, Espace Culturel Leclerc, and many others. Contact: 02 52 10 16 21.
